approach as for the stop-start riffing that made their guitars-and-gestalt-therapy sound into an industry buzz. Their 1995 album, Red Medicine, reasserts the band's grasp on alterna-angst and charging guitars--enough so to make your jaws lock. Yet, Red Medicine isn't just another exercise in Fugazi-style political manifestos; on it, Fugazi come across more as musicians than politicians. The yelping "I have something to prove" tone of previous releases has relaxed into a more confident approach. The dueling guitars are looser, more melodic. The riffs and vocals don't bark and grate as much--they simmer and, in some cases, even swing. Songs like "Birthday Party" may still rely on the old-school Fugazi approach--the proven shout and power-chord stomp--but "Forensic Scene" sounds almost Beatlesque in its lovely hesitance. Regardless of that evolution, Red Medicine still includes all the things that made REPEATER-era Fugazi so inspiring, their standard ringing guitars and shouted vocals glaring through the mix. But Red Medicine also shows a new-found eloquence, a quieter approach for their songwriting craft, and previously unseen musicianship. (RS)
Tuesday, 6 February 2007
Fugazi - Red Medicine
Fugazi are as notable for their "political music for the common man"
approach as for the stop-start riffing that made their guitars-and-gestalt-therapy sound into an industry buzz. Their 1995 album, Red Medicine, reasserts the band's grasp on alterna-angst and charging guitars--enough so to make your jaws lock. Yet, Red Medicine isn't just another exercise in Fugazi-style political manifestos; on it, Fugazi come across more as musicians than politicians. The yelping "I have something to prove" tone of previous releases has relaxed into a more confident approach. The dueling guitars are looser, more melodic. The riffs and vocals don't bark and grate as much--they simmer and, in some cases, even swing. Songs like "Birthday Party" may still rely on the old-school Fugazi approach--the proven shout and power-chord stomp--but "Forensic Scene" sounds almost Beatlesque in its lovely hesitance. Regardless of that evolution, Red Medicine still includes all the things that made REPEATER-era Fugazi so inspiring, their standard ringing guitars and shouted vocals glaring through the mix. But Red Medicine also shows a new-found eloquence, a quieter approach for their songwriting craft, and previously unseen musicianship. (RS)
approach as for the stop-start riffing that made their guitars-and-gestalt-therapy sound into an industry buzz. Their 1995 album, Red Medicine, reasserts the band's grasp on alterna-angst and charging guitars--enough so to make your jaws lock. Yet, Red Medicine isn't just another exercise in Fugazi-style political manifestos; on it, Fugazi come across more as musicians than politicians. The yelping "I have something to prove" tone of previous releases has relaxed into a more confident approach. The dueling guitars are looser, more melodic. The riffs and vocals don't bark and grate as much--they simmer and, in some cases, even swing. Songs like "Birthday Party" may still rely on the old-school Fugazi approach--the proven shout and power-chord stomp--but "Forensic Scene" sounds almost Beatlesque in its lovely hesitance. Regardless of that evolution, Red Medicine still includes all the things that made REPEATER-era Fugazi so inspiring, their standard ringing guitars and shouted vocals glaring through the mix. But Red Medicine also shows a new-found eloquence, a quieter approach for their songwriting craft, and previously unseen musicianship. (RS)
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