
Waits is nothing if not theatrical, and he plays a wide range of characters here. On the uproarious "Straight to the Top" he's a gonzo lounge singer. On "Innocent When You Dream" he's an old-world balladeer after too many whiskeys. He dons the preacher's cloak for "Down in the Hole," warning of the devil's powers, and he braves the top of his range for an unearthly shriek on "Temptation." Buoyed by the angular, eccentric accompaniment of Mark Ribot, Michael Blair and others, he rides an oddly wrought, multicolored train to musical glory.
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