
None of this is to say that Interpol aren't still rooted in the dark dramatics of Joy Division, the band's primary influence, as the gloomy, churning "Pace is the Trick" and "Wrecking Ball" prove. But the upbeat feel of "The Heinrich Maneuver" and the thumping groove and catchy hooks of "No I in Threesome" show a fresher-faced Interpol, as do the ambitious production flourishes of tunes like opener "Pioneer to the Falls." The album's nicest surprise comes at the end: "The Lighthouse" is a spare, emotionally affecting song, lovely and haunting, illustrating--as the rest of the album does--the band's continued ability to captivate.
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